Friday, May 8, 2009

The Berlin Record Vaults


Berlin is where it indeed starts to get serious. So far on my travels, excluding London this city is the proverbial child-in-a-sweet-shop for crate diggers, record collectors and music enthusiasts in general (or indeed for bargain hunters, fashionistas, night-life fiends and the anarchists of this world). The districts of Schöneberg, Zoologischer Garten, Friedrichshain, Mitte and Kreuzberg have record stores coming out of its ears creating its own problems for record store reviewers like JK and myself. After feeling smug for assembling a list (The List) of 10 record shops to review with 12 hours in which to fully cover the essential independently run music stores in Berlin, the whole plan went flying out of the window when it became apparent that along streets like Oranier Strasse in Kreuzberg or Tor Strasse in Mitte two or three record stores would pop up seemingly like mushrooms on one single street.

In the end we’ve assembled a final list of 7 full shop reviews as well as 2 other establishments to recommend although we had no luck in reviewing the actual stores. Out of these seven stores, most of them will discuss small businesses that specialize either in rock/folk/jazz/soul/hip-hop/reggae vinyl records. For you diggers hungry for the electronic music record scene which Berlin is equally famous for, you’ll be able to find links to these stores at the end of the review.

Berlin-Mitte


Being the spiritual home of Berlin’s old city centre, this area boasts as many record stores as it does second-hand thrift stores, cheap fantastic food and hip bars & cafes. We actually spent most of our time roaming the many streets in Mitte popping our heads into stores ranging from those that cater to trance DJs and the Euro techo scene to stores specializing in Polish and Hungarian folk songs (?!). In the end here are the four that top our list in Mitte:

The Record Store - Brunner Strasse 186

This one is hands down the hippest looking vinyl-only record shop I’ve been fortunate enough to dig in with their 12” vinyl albums stacked in smart looking wooden shelves (categorized roughly into ‘Black music’, ‘Rock/Pop’, ‘Jazz’, ‘Female/Male Vocals’, Singer-songwriter’, ‘Hip-Hop’ ‘Latin’, ‘Soundtrack’ and ‘Electronic music’) and the 7” 45s kept in neat looking wooden cupboard divided according to genre (Rock’n’Roll & Rockabilly, Country, Soul/Funk, 50s/60s/70s rock/pop, R’nB, 70s Soul/Funk, Indie/Punk).

They might not have the biggest collection in the world but what they do have does indeed appeal to the eye. A €100 (Rp.1.400.000) Euro copy of a 1970s Fela Kuti album straight away springs to mind as does the super cool Shaft-in-Africa LP for a very decent €11.90 (Rp160.000). Their very impressive collection of Blue Note Jazz records is definitely enough a reason to go back to The Record Store the next time I visit Berlin-Mitte.











Da Copo Vinyl - Kastanien Allee 96


Quite the antithesis of the above mentioned ‘The Record Store’, this homey looking store holds copious amounts of mostly second-hand vinyl in a very cluttered space which makes most dusty fingered record hunters feel right at home. Looking for records here is a challenge and time consuming with records divided quite pedantically into very specific genre categories: modern jazz, (plain old) jazz, latin-jazz, World-music, 60s/70s rock, folk, folk-rock, indie&punk rock, reggae, East-German (DDR) music, classical, theater LPs, hip-hop, old-skool hip-hop, 80s electro hip-hop, 1920s&30s German & French cabaret, etc.






Oye Records - Oderberg Strasse 4

Oye Records is one for the aficionados boasting a neat & clean interior, GREAT record choices, records divided according to labels, stacks of 45s, a shelf dedicated to WaxPoetics, located on a hip street in the middle of town, the works.

Their collection is mostly newly pressed vinyl and specializes in funk, hip-hop, soul, disco, jazz with a super healthy dose of techno, house, drum’n’bass, dubstep and reggae. As far as the hip-hop and funk section is concerned I was indeed spoiled for choice with the rap section divided neatly into label based categories and the funk crates neatly stacked alphabetically. Their CD catalog is mighty impressive to with JK bagging Sound Way’s Nigeria Rock Special. Check out www.oyerecords.de for a more extensive look at the shop (and all in English).









Tons of Records - Brunnen Strasse 10

One of the record stores we weren’t planning on visiting yet were pretty much forced to check it out due to the might interesting records put on the window display (Afrika Bambaataa’s Renegades of Funk, Curtis Mayfield’s Roots and a Nas 12” were the standouts).

The interior is minimalist to say the least and judging by the conversation I had with the very friendly owner, it’s a pretty new establishment to boot. This goes halfway explaining the half empty shelves on the wall and the small wooden crates containing the not-so-many records. What they did have though were pretty interesting with a whole category devoted to old East German releases of Western music (Bowie, Beatles, Pink Floyd, etc) and another catering to diggers of Italo-Disco 12” records.

The store looks half completed though so if you do decide to check this store out, I’m predicting it’ll be bigger and better.










Kreuzberg-Friedrichshain

Kreuzberg-Friedrichshain is a new adjoined single district from the old East German borough of Friedrichshain with the West German area of Kreuzberg since the wall came tumbling down. It’s also the home of Berlin’s thriving hip counterculture movement with scores of restaurants, snack bars, alternative cafes & bars, cool second hand clothing stores, left wing political groups (apparently Kreuzberg is home to the Kurdish Communist Party), and of course independent record shops due to the countless immigrants, artists, anarchists, musicians, young entrepreneurs and students who call this part of Berlin home.

Space Honda Records - Zossen Strasse 29

Another record store we tumbled into which wasn't on ‘The List’. Although the chap behind the counter tried his best to convince me it probably wasn’t the best idea to take pictures of this store at that moment as it will change its appearance ‘in a week or two’. Still, this place is massive and with the amount of records it holds it deserves a mention and a full review anyway.

We initially thought that it was a store dedicated to electronic music due to the music blaring out of the in-house speakers but soon realized it caters for pretty much any genre you please. And since time was of the essence, we only managed to snoop around the rock, soul, reggae and hip-hop sections and even that took us the good part of an hour to go through the dusty records. If their rock, soul, reggae and hip-hop collections are anything to go by with, their techno vinyls and other electronic music records in general would be well represented.








Scratch/Soul Trade Records - Zossen Strasse 31

Finding this joint was a bit of a challenge as both Scratch Records and Soul Trade Records made ‘The List‘ but were listed under two different addresses (neither were on Zossen Strasse 31). As luck had it the two merged into a single business and was located next door to Space Honda Records.

And yet another of the hip record stores in Berlin sporting a minimalist interior yet features stacks of records both second-hand and brand new categorized under many sub-genres including a very impressive separate room containing specifically jazz, soul, funk and hip-hop records (perhaps the Soul Trade half of the shop). The front part of the store carries all the techno, dubstep, trance and other electronic based music as well as memorabilia (funky t-shirts, Wax Poetics magazines and posters).









Logo Records - Bergman Strasse 10

One of the smallest record shops we entered and definitely the smallest to make it on this review. It also has the smallest amount of vinyl records in stock as the front half of the store is allocated entirely to a respectable collection of CDs.

The back section of the shop houses mostly second hand pop/rock 12” albums, cheap 45s, a single double sided crate/box dedicated to Hip-Hop, Soul and Jazz vinyl as well as a photo proving that Quentin Tarantino is a frequent punter of Logo Records. At the end of the day what really matters is at this shop you can get youself Air Supply’s tear jerking Lost In Love for just €1.








The Ones That Got Away


Time’s a b*tch so unfortunately we were left to leave out the record stores which were just too far away or other similar pathetic excuses for not going. But since we’re nice dudes, here are other stores you should check out when in Berlin:

Digalittledeeper Records - Linien Strasse 13 (formerly Tor Strasse 102)

One of he most hard to find shops and walk in during opening hours on my Berlin sojourn. Located on a non-desrcript corner on a main road having moved from its original location on Tor Strasse, this seemingly very interesting record shop is only open on Wednesdays and Saturdays (see pic) so we only managed to make some laughable pictures of the store’s facade.




Keywax Records - By appointment only

This one really takes the biscuit when it comes to obscurity as you can only visit the store by setting up an appointment with the owner through his Myspace page. We did try though but unfortunately didn’t receive a reply before our time in Berlin ran out. Still, doesn’t mean you shouldn’t try though as this store was voted by berlin.unlike.com as their favourite records store.

Thursday, March 12, 2009

Stones Throw Europe 2009 - Peanut Butter Wolf, James Pants, Dam-Funk & Mayer Hawthorne at Paradiso Amsterdam 10 March 2009


Ah yes, another predictably unpredictable Stones Throw gig I just witnessed and the first one to be reviewed here on Footurama. By now you’re probably guessing that I’m quite a fan of this Los Angeles based independent hip-hop label (although plainly labeling it as a hip-hop label is criminally simplistic) judging by the number of posts and references I give them in my blog posts and my other ramblings on this site and of course you’d be right. Luckily for me the label organized a Carhartt sponsored 2009 European Tour which gives me the chance to show you the reason behind my obsession with the label as the show epitomizes more or less the philosophy behind the label and the various musical boundaries that make the label one of the biggest success stories of independent labels of the last decade.

Whilst I’ll save the detailed review of the actual label for another time, the gig does reflect the predictably unpredictable description I used earlier as label owner Peanut Butter Wolf brought along label new comers James Pants, Mayer Hawthorne and Dam-Funk for the European Tour with their differing-yet-strangely-complimentary musical styles; electro synth rock, throwback Motown-era Soul and electro-boogie respectively to the unsuspecting Amsterdam crowd.

In a not so conventional fashion the owner and one of the major exponents of the label, turntablist Peanut Butter Wolf opened the set (as opposed to ending it) with an audio-video dee-jaying masterpiece where he diced, sliced, scratched and mixed tracks together with corresponding videos mixed and completely random video pieces with apparently no boundaries on genre (covering most styles of hip-hop, rock, dub reggae, 70s & 80s funk, soul, jazz, the works) to a hilarious and genially entertaining effect. You had your traditional hip-hop video clips, classic soul clips, Ernie ‘n Bert rapping, The Jackson 5 all cleverly mixed in a Kutiman-esque video collage which really had the crowd excited. As the show was built up as the Q-Tip after party, the Abstract himself appeared to join in the flurry of dancing which has built up from PB Wolf’s highly interactive set.

*All photos by Erick Wicaksono & Ffonz






Cue James Pants from Spokane Seattle. JP and his band Royal Zodiac (Josh Simon (Keys/Bass), Paul Flores (Keys/Vocals/Sax) and Justin Walter (Drums)) performed after PB Wolf to an energetic 30 minute set performing tracks mostly from his 2008 LP Welcome with a dose of The Doors (covering ‘Touch Me’). I can’t really put my finger on Pants’ actual musical style with its mish-mash of synthesizers, beats, electronic loops, cryptic vocals, guitar riffs with an all round 80s feel to it, but I’ve labeled it as electro synth rock so I’m sticking by it. So to get a sense of the mash of genres that is James Pants and Royal Zodiac, check out the pics and the YouTube clip HERE.









When Mayer Hawthorne appeared next, with only 2 singles released on the label so far it was touch and go to see which direction the gig was heading next. Considering that Hawthorne hails from Ann Harbor, Michigan (just outside Detroit), it’s not surprising that his set was a throwback to 1960s soul with the Royal Zodiac shuffling positions and James Pants manning the drums. Think of The Dap Kings (Amy Winehouse’s band amongst other many great things) with a young Smokey Robinson on vocals and you’ll get a vague idea of this short set. Click HERE for a clip of his heart-shaped 12” recently released on Stones Throw “Just Ain’t Gonna Work Out”.








The whole thing drew to a close with electro boogie DJ Dam-Funk taking over the turntables, laying down almost all past and present permutations of electro funk. His final bow saw Dam-Funk turn into Madlib with him leaving the turntables and taking over the drums instead ended the 3 hour gig while the rest of the performers (Wolf, Pants and Hawthorne) mingled with the crowd.






In the end it was indeed a typical Stones Throw concert in the sense that it involves you attending the concert with an open mind as to what to expect. As with previous experiences I had, this gig had much more of a party feel to it (besides the incessant dancing, the crowd broke the new smoking ban to light up joints) than your average pop/rock concert and the flexibility of the performers was very refreshing in this age of formulaic pop.

Click here for James Pants’ Video Music Diary of the 2009 Stones Throw Europe Tour.



Thursday, March 5, 2009

Sudan



Darfur is a mess, never more so than now. I don't really write much about politics and the world order as much as I would like to, but after sitting down a few minutes ago listening to New Orleans Jazz Funk drumming legend Idris Muhammad's Sudan from his excellent 1976 album House of The Rising Sun and watching Darfur/Sudan related news on the TV over the last couple of days, I had the urge to post a two minute sample of this stunning 11 minute classic.

Idris Muhammad - Sudan

Get this album if you can and as a convincer here's another 2 minute sample of Idris' interpretation of the New Orleans classic House of The Rising Sun, the opening track of the LP.

Idris Muhammad - House of The Rising Sun

Monday, March 2, 2009

Food with Cool Calm Pete


*Click on the above picture to go to the Theme Magazine site and download the mix.

This is a pretty cool mix by New York beatmaker, MC and Def Jukie Cool Calm Pete I found on Theme Magazine. It's a food themed mixtape with a damned reliable yet eclectic lineup:

9th Creation, “Bubble Gum”
Audio Two, “I Like Cherries”
Gary Bartz, “Drinking Song”
The Beach Boys, “Vegetables”
Beastie Boys, “Egg Man”
BO Junior and Keb Darge, “Coffee Pot, Pt. 1”
Willie Bobo, “Fried Neckbones and Some Home Fries”
Cameo, “Candy”
The Dynamics, “Ice Cream Song”
Fat Boys, “All You Can Eat”
Monk Higgins, “Little Green Apples”
JBs, “Pass the Peas”
KMD, “Plumskinzz”
Kool & the Gang, “Chocolate Buttermilk”
Galt Macdermot, “Coffee Cold”
The Mar-keys, “Banana Juice”
Jackie Mittoo & The Soul Brothers, “Chicken and Booze”
Idris Muhammad, “Bread”
Elvis Presley, “Song of the Shrimp”
Frankie Seay & The Soul Riders, “Soul Food”
Booker T. & the MG’s, “Mo’ Onions”
Norma Tanega, “Bread”
Maggie Thrett, “Soupy”
Barry Ungar, “Lightly Salted”
The Who, “Heinz Baked Beans”
Wu-Tang Clan, “Ice Cream”

Analog Africa 45 minute mix



Continuing with the goodness which is African jazz/funk, grab yourself the free mix originally mixed for Wire Magazine here: http://analogafrica.blogspot.com/2008/11/analog-africa-selection-vol2.html